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The great oak tree of heavy metal contains more than meets the eye. Its mighty branches, visible to the average rock fan, consist of thrash, hair, nu, black, 'core, and death metal—all arguably the genre's more iconic iterations. But beneath its tremendous trunk are ever-growing roots that stretch endlessly into a vast underground of niche stylistic offshoots. There are literally dozens of subgenres—and many subgenres within those subgenres—throughout the heavy metal lexicon, and it would take a lifetime to become fully versed in all of them. Here we zoom in on five unique and compelling lesser-known metal subgenres that aren't obvious entry points for the average headbanger, but every fan of aggressive music should be familiar with these sounds. Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. The Alice Cooper story is, first and foremost, an extraordinary tale of “split personality”. Like something straight out of “The Strange Case of Dr Jekyll and Mr Hyde”, singer Vincent Furnier surrendered to the domination of showman Alice Cooper. But by his own admission, the man who always speaks of “Alice” in the third person in interviews remains a simple, completely normal guy in private, far from the stage where he enacts his excesses and provocations. Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial… The great oak tree of heavy metal contains more than meets the eye. Its mighty branches, visible to the average rock fan, consist of thrash, hair, nu, black, 'core, and death metal—all arguably the genre's more iconic iterations. But beneath its tremendous trunk are ever-growing roots that stretch endlessly into a vast underground of niche stylistic offshoots. There are literally dozens of subgenres—and many subgenres within those subgenres—throughout the heavy metal lexicon, and it would take a lifetime to become fully versed in all of them. Here we zoom in on five unique and compelling lesser-known metal subgenres that aren't obvious entry points for the average headbanger, but every fan of aggressive music should be familiar with these sounds. Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. The Alice Cooper story is, first and foremost, an extraordinary tale of “split personality”. Like something straight out of “The Strange Case of Dr Jekyll and Mr Hyde”, singer Vincent Furnier surrendered to the domination of showman Alice Cooper. But by his own admission, the man who always speaks of “Alice” in the third person in interviews remains a simple, completely normal guy in private, far from the stage where he enacts his excesses and provocations. Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial…

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